SCHOOL OF CREATIVE INTEGRATION
The School of Creative Integration offers a myriad of workshops and seminars designed to improve your writing with life-changing techniques formulated over years of experience. We offer everything from one-off workshops, to two-month certificates. The School of creative Integration has a unique and unflinching approach to teaching, ensuring each student's work is intimately understood, as an honest appraisal of both strengths and weaknesses is offered with compassion and constructive methods for improvement. Our philosophy is simple: we value honesty, bravery, and vulnerability, and believe that with self-knowledge and dedication to craft, anyone can create works of impact.
About your instructor: Robin Richardson is an award-winning poet and prose writer with an MFA in Poetry from Sarah Lawrence College. She has published three award winning collections of poetry, and is Founding Editor of Minola Review. Richardson's passion is discovering and mentoring new writers. She cares deeply about the craft of writing and is genuinely invested in the success and well-being of each and every one of her students.
See below for up to date course list.
Register at email@example.com
Unsympathetic Poetry Workshop
Bring one poem in for critique both by the group and by Robin Richardson. We have an encouraging and inclusive environment, while focusing on in-depth constrcutive critcism.
Contact firstname.lastname@example.org to RSVP
Accessing the Unconscious
Great writing comes from a place deeper and more mysterious than the intellect. Over the course of this four-week seminar you will learn to access the long-dormant elements of your own unconscious. We will use intensive, unconventional exercises, exploring dreams, archetypes, memory, and myth to tap your unexplored potential as a writer. Will include close reading of fairy tale and other related material, as well as weekly exercises to be discussed in class.
4 Sundays starting May 6th at 12pm
A Critical Seminar
Critical readings of established poets (Anne Carson, Matthea Harvey, Ann Boyer, Michael Ondaatje, etc) rather than workshopping your own. I think it's important to focus on reading critically before really delving into the work. This seminar is all about craft and inspiration, and will serve as precursor to future prose poetry workshops.
Will begin at 12pm
Perfecting and Publishing your Poetry Collection: a complete guide
This one-one-one mentorship with Robin Richardson includes line-edits and overall notes on your manuscript, along with extensive guidance with regards to navigating the world of publishing, promoting, and funding.
Though the timing for this service is not fixed, the offer is limited to four email exchanges, and one phone call or in-person meeting.
"I have hired Robin Richardson to do a one on one mentorship with me. Her first reading of my manuscript was spot on and I am currently reading 4 suggested poets to guide me in rewriting, honing my manuscript and creating new work. She has an exacting eye and truly can pick out your voice. I truly recommend her." Jennifer Eagle
"The workshops are carefully organized and tailored to educate students in the craft of both thinking more deeply and writing more fluidly while simultaneously challenging each participant to grow and to hone our skills as writers. One of the ways in which Robin manages to do this is by getting participants to search themselves and to dwell upon their vulnerabilities in the service of reaching a deeper truth. A result of her approach here is more honest, penetrating, and confident writing. Her passion for the poetic verse is matched by her apparently effortless competence to teach it. As an educator, I envy her confident comfort and poise within the workshop setting as well as her conscientious attention to each student. Robin is a master of the craft and it shows. Not only does her ability as a poet and teacher shine at each moment, but it is also infectious. One of the most impressive parts of having participated in Robin’s workshops is to see the enthusiasm that she brings to the educational setting spread to and invigorate all in attendance. " Brandon Fenton, Department of Philosophy at York University.
"It was a pleasure and a privilege to work with Robin. I was extremely impressed by her knowledge of craft and poetic technique, combined with an uncanny ability to rapidly identify the "core" of a poem, as well as its weaknesses. She has a gift for visualizing a poem's potential as well, so that her edits are not merely subtracting from what's on the page, but guiding and encouraging the poet to dig deeper, stay true to her authentic voice, and write from a place of honesty and courage. Her mentoring for an emerging writer such as myself was incredibly helpful, direct, and supportive, exactly what I needed at this juncture." Lisa Richter, debut poetry collection forthcoming with Tightrope Books.
"Robin Richardson's Unsympathetic Poetry Workshop is for emerging and established writers alike to gain critical insight into their poetry. Robin facilitates an encouraging environment of thoughtful discussion that lets participants look deeper at works in progress in a whole new light, making the job of revision much less of a daunting task. I highly recommend her workshop to poets at any stage in their writing career." Joshua C. Buchard, Poet.
"Robin Richardson is as honest and fearless an editor and mentor as she is a writer and visual artist. She is not afraid of oceans, bears or volcanoes. She will read your work with her heart. Since working with Robin I have become a braver writer; her grace and intelligence will buoy and inspire anyone lucky enough to work with her." Shannon Bramer, author at Book*Hug
"Robin Richardson's Unsympathetic Poetry Workshops have helped to frame what I look for when I'm ready to move forward with a poem. She has helped me to see when I am opening up in my work, and has challenged me when I am closing off; encouraging me to find language that will service the poem, and really say what I mean. She has helped me to mine the difficult spaces, not to shy away from the ugly parts, the parts that are rough around the edges, or the straightforward because there can be clarity and resonance in that which isn't perfectly crafted. When it was very easy for me to get caught up in the poeticism of language, Robin encouraged me to share just a little more, to be less abstract, to dare to be a little more honest which is what I think finding the Unsympathetic Voice is all about. Working in service of the poem to bring it to its fullest potential." Suzanna Derewicz, Screenwriter, poet, Social Media Strategist at Minola Review.